Wednesday, September 2, 2020

Neorealist Aesthetics on Rome Open City and 8 1/2 Essay

Presentation To fundamentally assess the impacts of neorealist feel on Rome, Open City (1945) and 8â ½ (1963) I accept there are a few measure I need to take. As a matter of first importance, I trust it is fundamental to get an away from of Italian neorealism and the regular style of neorealist films. When I have that built up it will empower me to fundamentally assess the impacts of neorealist style on Rome, Open City and subsequently, 8â ½, drawing them both together in the end. The finish of World War II, and Mussolini’s extremist system in 1945 empowered a national film development to prosper in Italy. This development was marked ‘Italian neorealism’, and with its remarkable stylish style and subjects it created, ostensibly, probably the most persuasive movies at any point made. Neorealism apparently was an ideal path for Italian movie producers to depict the hopelessness and enduring they, and the whole country experienced all through this time of restraint. Martha Noch imson depicts Italian neorealism as: A solid type of filmic verse that focuses on truth in its anecdotes about poor people and the average workers, without utilizing the glamorizing procedures that Hollywood likes, (that) must be completely comprehended inside the setting of Italian social and political history. Italian neorealism has unmistakable elaborate characteristics that give it a practically narrative, ‘newsreel’ feel to the movies. Neorealists accepted this enormously added to the genuineness of each film and portrayed life around then in an increasingly practical manner. Normal qualities of neorealist films are that they are shot on the spot, use non-proficient or moderately obscure, unpracticed entertainers, have easy mise-en-scene, keep away from complex altering, have a straight forward, feely moving narrative style of photography and have an inexactly plotted story. Martha Nochimson summerises this consummately in expressing that: Neorealists demanded bringing their cameras into genuine areas, utilizing characteristic light and sound, and stripping their characters of manufactured upgrades. They often tried different things with utilizing non-expert and youthful obscure entertainers so as to dodge the painstakingly determined characteristics of the star. Just as havingâ a unmistakable style, neorealist films likewise would in general have topical likenesses as well. They for the most part positioned accentuation on the contemporary circumstance, concentrated on the battles of the lower class, underestimated populace inside society and frequently kept away from the customary Hollywood, ‘happy-ever-after’ endings. Rome, Open City is considered by numerous individuals to be one of the most persuasive movies at any point made, and therefore it solidly set Italian neorealism up for life in world film. Because of the creation beginning practically following the possessing Germans withdrew, Peter Brunette portrayed, ‘that the creation of the film was completed in the most exceedingly awful conceivable conditions’. Since Rome was all the while recouping from the staggering effect the war had on the city Rossellini had no other decision yet to utilize genuine areas as the film studios inside the zone had either been besieged, or were being utilized as asylum for evacuees influenced by the devastation of the city. Marcus Millicent calls attention to different snags Rossellini looked during the creation, he states, ‘the absence of studio space, the nonattendance of advanced gear, and the shortage of film stock constrained Rossellini to receive the effortlessness of implies that was answerable for the real and uncontrived look of his completed product.’ These conditions, bringing about the requirement for impromptu creation, were additionally valid for most movies delivered during the stature of neorealism up until its quick decrease in the mid 1950s. Anyway a few pundits contend that the conditions Rossellini confronted have been overstated, particularly with respect to the poor film stock he was accepted to utilize. Christopher Wagstaff calls attention to, ‘The ‘look’ of Rome Open City has been ascribed to poor film stock, yet the film was wonderfully captured by Ubaldo Arata on completely fitting film stock, one kind for insides and another for exteriors.’ One of Rome, Open City’s fundamental neorealist qualities is the topical issue’s the film covers. Run of the mill the neorealist films, Rome, Open City delineates the battle of poor people, regular workers individuals inside society around then, for this situation, as they attempt and oppose the German occupation. In spite of the undeniable neorealist subject, pundits have contended that Rossellini has digressed from neorealism inside the story as he depends intensely on the utilization of acting inside the plot and uses procedures to over perform the ‘epic’ minutes he has made inside the film, for instance the utilization of none diagenic sound during the location of Pina’s demise isn't a method that is regularly utilized in neorealist asâ it concedes a lot from reality itself. Stephen Hanson even goes as far an expressing, ‘its plot is exceptionally exaggerated in the most noticeably awful feeling of the word.† Peter Brunette backings this view, he contends that Rossellini, â€Å"pawns off his  fictions as though they were real factors in the best custom of Hollywood. In addition to the fact that critics argue that Rossellini over performs the plot, they additionally accept that he receives an increasingly straight account contrasted with the common neorealist film. Diminish Brunette contends that Rome, Open City is, ‘one of Rossellini’s most regular movies, at any rate as far as its story and sensational structures.’ He accepts this ordinary account style bears no advantage to the film and even proceeds to state, ‘Here, not at all like in his past movies, all components of the mise-en-scene, lighting, discourse, and everything else, anyway â€Å"realistic†, are thoroughly enrolled in the administration of a straight narrative.’ Rossellini’s utilization of for the most part non-proficient entertainers is an unmistakable neorealist tasteful inside the film, anyway Peter Brunette contends that Rossellini didn't comply with this neorealist pattern totally, as he calls attention to, ‘(Anna) Magnani (who assumes the job of Pina) was not really a newcomer to the screen-she had effectively nearly sixteen movies shockingly since her first job in 1935,’ and keeps on including that she was, ‘well know to Italian audiences.’ A last neorealist expressive quality Rossellini utilized in Rome, Open City, that apparently can’t be questioned is the non-elaborative mise-en-scene. Each character’s outfit was commonplace of what might have been wearing at the time the film was set, as should be obvious in ‘figure 1.’ of Pina, not long before her passing, with a few other ladies. As opposed to Rome, Open City, 8  ½ differs significantly with respect to neorealism, in any case, Federico Fellini had solid associations with the neorealist development and these impacts can be found in specific parts of 8â ½. One of his first jobs in film was to work close by Rossellini for Rome Open City and Paisa (1946) as a scriptwriter, which logically prompted him making his own movies. In spite of the fact that Fellini’s first movies were viewed as neorealist, (For instance, ‘Variety Lights’ (1950) and The White Sheik (1952)) he before long moved away from neorealism and with 8â ½ he created a film that gives considerably more exertion to dreams, dream and creative mind than it does to the real world. In any case, in the event that you take a gander at the scenes that are set in Guido’s reality you can before long distinguish the impact neorealism has had on Fellini’s work. The freeâ moving camera style that gave neorealist films a â₠¬Ëœdocumentary’ feel to it is likewise apparent in 8â ½. During the scene where Guido enters the inn and is reliably besieged and bothered by everybody, incapable to get a moment’s piece is an ideal case of how Fellini embraces this style. All through this scene the shots are additionally extensively long, (which is another complex quality numerous neorealist films have) as the camera tracks Guido clearing his path through the inn anteroom. It can likewise be contended that 8â ½ has a more noteworthy neorealist quality to it than Rome, Open City with respect to the account and plot. Numerous neorealist films are not hung up on plot, and are increasingly keen on giving a practical ‘slice of life’ of the characters world (for instance, ‘Bicycle Thieves (1948)). Just as the absence of a non-straight story, Fellini is impacted incredibly by neorealist feel as he utilizes genuine area all through 8â ½. Albeit specific scenes in 8â ½ have tasteful similitudes and impacts got from neorealism, the film in general is has little pertinence to neorealism in many perspectives. For instance there are almost no topical similitudes as a run of the mill neorealist film gathers in depicting the neediness, enduring and abuse of the regular workers, 8â ½ is a semi-anecdotal film Fellini has dependent on himself. Jack Hirschman depicts 8â ½ as, â€Å"Fellini’s most legitimately self-portraying statement.† Another key variety from neorealist style is the way that Fellini communicates creative mind, dream and dreams to the detriment of authenticity. To close I accept that the two movies talked about in this article are not by any means the only separate two of their sort, with respect to neorealist films going astray from the customary stylish characteristics expected of it, (for instance De Sica’s neorealist film, Miricale in Milan (1951) investigated dream, to the detriment of its pragmatist characteristics,) and Fellini’s 8  ½ is obviously, not by any means the only film to be impacted by neorealism. A few pundits even inquiry neorealist tasteful characteristics further and contend in light of the very idea of film creation it is difficult to make a totally pragmatist film, Christopher Wagstaff questions a film’s authenticity by belligerence: Within the account of a film, implications can be connoted indexi

Saturday, August 22, 2020

‘Of Mice and Men’ by John Steinbeck Essay

‘Of Mice and Men’ is composed by John Steinbeck. The tale is set during the 1930s during the extraordinary gloom in California. The two hero characters, George and Lennie are ranch laborers who have a fantasy of one-day possessing their own farm. They look for some kind of employment in a farm close to Soledad, in the wake of getting away from Weed in light of George’s episode. They are met by various characters on the ranch that all have a fantasy. To be forlorn intends to need companions or friendship and to feel disengaged. A large portion of the characters are desolate and the main thing that keeps them alive is their fantasies. Probably the loneliest characters they meet are Candy, an elderly person with just one hand, Crooks, a dark disabled person and Curley’s Wife, a lady who has no personality, she is desolate despite the fact that she is hitched. Despite the fact that they are all on the farm together, they are desolate due to what their identity is and their history. ‘Of Mice and Men’ is a passionate story with a wide range of topics and characters. Steinbeck presents Curley’s spouse as the main ladies in the farm and on the grounds that she doesn’t have a name it shows that she isn't significant and she is someone’s having a place. The first occasion when you catch wind of Curley’s spouse is when candy portrays her to George. Candy utilizes articulation, for example, â€Å"she got the eye† and proceeds to depict her as taking a gander at other man due to this they consider her a â€Å"tart†. Through Candy’s words, we could build up an underlying impression of Curley’s spouse as Flirty and even unbridled. This controls us by driving us into having a negative perspective on her. Her first appearance in the Novel spotlights on her appearance. The manner in which she acts, the manner in which she looks and the manner in which she talks with others. The primary sentence about her was â€Å"the square shape of daylight in the entryway cut off† this shows how she remains there to get consideration and get saw by the farmers. This make us think as a peruser in other manner she remained in that specific spot since she realizes that they will take a gander at her. Her physical appearance of â€Å"full†, â€Å"rough lips† and â€Å"wide-dispersed eyes†,† Heavily made up† and â€Å"her fingernails were red† this shows how observe got the characteristic shape on an entertainer. The â€Å"heavily made up† this shows she need to make herself look appealing so the farmers will take a gander at her and feel love in her. The shading â€Å"red† shows that it’s an image of threat and on the opposite side the thick splendid hues stands apart from different things so this can cause herself to get saw by others that is all she needed. George appears to trust Candy he says to Lennie â€Å"don’t you even investigate that bitch† this shows the sentiments that George got towards Curley’s spouse. She is forlorn â€Å"stands there looking in† which demonstrates she nothing to do and due to her dejection she needed to be cherished by others so she acts like she is being a tease. They state she is a â€Å"flirty† however it is the main way she realizes how to get consideration.

Friday, August 21, 2020

German Culture: Past and Present Essay

German Culture: Past and Present is a book composed by Ernest Belfort Bax. It was initially distributed in 1915 by McBride, Nast, and Company of New York. The present version most broadly circled was distributed by Kessinger Publications, LLC, Kila, MT, in 2008. Kessinger Publications spend significant time in reprints of old books that are open space and keeps up copyright over the works. Bax was conceived in Britain and was a communist writer and scholar. Incidentally his political view as a communist was essential to this book. It helped him in his endeavors to watch German culture of the period secured as the legislatures of the different primitive and bureaucratic structures have consistently inclined toward communism. His certifications that add position to composing this specific book incorporate his concentrating of German way of thinking while really living in Germany. This gave him a nearness to the origin of German culture and thought †fundamental essentials for the readiness of this book. Furthermore his recognition with the German language offer centrality to his perusers as he deciphers authentic archives for them. The proposition of this book is to give a genuinely point by point review of the social and scholarly advancement of German culture from the medieval period right to the cutting edge times (remembering that the ‘modern times’ to this writer stretched out just to the mid 1900s). Its auxiliary point is the more exhaustive work of the previous piece of the way of life almost to the detriment of the later period. The writer felt that less was thought about that period in German history when contrasted with the cutting edge times and wished to start to instruct ‘modern’ perusers about that significant establishment. His anxiety reflected in this postulation is that the prior occasions and its archives are hard to get to and appropriately read, while the occasions nearer to the present day have been reflected in more generally accessible structures. Bax builds up his theory in sequential style and relies vigorously on a portion of his prior works on the historical backdrop of Germany. This merges his previous perspectives in a single tome which can be all the more effectively comprehended when introduced together in a specific order. Notwithstanding the straightforward sequential improvement of his proposal, Bax alludes every now and again to the exhaustive verifiable treatment of the occasions instead of the character focused treatment. He bolsters his proposition by discrediting the character style by exhibiting the more extensive verifiable style. Models incorporate excusing the Martin Luther-centered translation of the Reformation, rather offering the bigger occasions and individuals that encompassed those occasions (p. 43). Bax’s discourse on the hugeness of culture upon the achievement and disappointment of people starts with Martin Luther and the Reformation. By focusing on the encompassing verifiable occasions and individuals, he makes way for the impacts past the characters that empowered their prosperity †on account of Luther. Also Bax depicts the achievement of the Peasant’s Rebellion/War as being needy upon the way of life made by before revolts like Franz Sickingen’s (p. 117). These two models viably show how Bax as a writer guarantees that the social pieces of the book are consistently the as a matter of first importance thought; the effect this culture had upon occasions and individuals is constantly optional to that idea. It is very hard to contend with Bax’s proposition. It is totally a goal and very much arranged composition of a protracted time of German history. Specifically, the dependence of people and occasions upon the general creating society of the occasions leaves little space to question his decisions. It is a first rate proposition and the main impediment to it might be its wordiness. That equivalent expansiveness and pace, notwithstanding, likewise loan scholastic confidence to the book in general. ? References Bax, E. B. (2008). German Culture: Past and Present. Kila, MT: Kessinger.

Wednesday, May 27, 2020

UVA Darden Expands EMBA GEMBA Programs to D.C.

Starting this August, EMBA and GEMBA  (Global EMBA) students will be able to pursue their once-a-month weekend studies in Roslyn, Virginia, across the Potomac River from the heart of Washington, D.C. â€Å"Washington, D.C. is a global gateway, where business and government intersect,† said  Darden dean, Scott Beardsley. â€Å"For 60 years, the Darden School has developed business, government and military leaders through its MBA and executive education programs. The capital region was an obvious choice for our new location, since Virginia has always had close ties to the nation’s capital. According to the UVA Darden press release, the Washington, D.C. Executive MBA experience will mirror the experience delivered at the Darden campus in Charlottesville, VA. Students will be given the choice of studying primarily at the new D.C. location or at UVA (though all students will spend some time at both campuses), as well as the choice of pursuing the regular EMBA (with a global residency in Europe, India, China, or Brazil) or the global EMBA (with global residences in all four locations). â€Å"The School’s mission is to improve the world by developing responsible leaders, who are also global and entrepreneurial. The District’s concentrations in entrepreneurship and innovation, its international influence and its tradition of leadership naturally align with the Darden School’s strengths,† said Beardsley. â€Å"The program prepares leaders for high performance through weekend residencies, global residencies and distance learning, of which Darden is a pioneer.† UVA Darden hosts top-ranked EMBA/GEMBA programs. Do you need help getting in? Wed love to help. Check out our UVA Darden B-School Zone, as well as our 1-on-1 EMBA Consulting Editing Services. Lets make this happen! Related Resources: †¢Ã‚  School-Specific EMBA Application Essay Tips †¢Ã‚  Executive MBA Pros Cons †¢Ã‚  Excellent Executive MBA Admissions Advice  (podcast episode)

Saturday, May 16, 2020

Is Hip Hop Destroying Black America Essay - 1486 Words

Black self-contempt seeping into African American culture is irrefutable, as is the fact that it is misconstrued, unchallenged, and undervalued. The unparalleled intense emotion of internalized self-hatred currently plaguing the minds of numerous Blacks is not an ordinary phenomenon developed from centuries of evolution. It is not a nameless occurrence empty of a coherent justification. It is simply the consequence of an intentionally condemned system of suppression and control. An enormous scheming method used for preserving the present grand image of society. Oh, what treacherous lengths has America traveled to conceal this horrific secrete. As the wealthy, influential, white elites continue to define the standard of true living through†¦show more content†¦Blacks are oblivious of the white dominance operating their lives for they are conditioned to believe the fable of being their own worst enemies. African American’s own violent relations and incidents with their own people simply stand as validations to what they’re unconscious are being fed. These are all the penalties of the mass media structuring our perception of the world. Frankly, basically all information gathered about incidents outside our personal neighborhood travels to us by means of our newspaper, radio, and/or television. By utilizing purposely evolved psychological methods, the media direct our feelings and beliefs. Through, deliberate phrasing of headlines; the choice of words, pictures, and illustrations, the media intentionally highlights and minimize certain point of views. Although obtained through the subconsciousness, all of these factors strongly affect the way in which we construe what we see or hear. The media points us to the â€Å"correct† side of a favor and engineer our imageries of diverse groups of people. 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Wednesday, May 6, 2020

Contemporary Adolescence Fiction Encourages Coping,...

‘Contemporary adolescence fiction encourages coping, survival and acceptance.’ Salinger and Boock both tackle the fears around the question of, â€Å"Who am I going to be, when I become an adult?† The two writers help create, shape and attempt to answer this through the narratives of their characters. The genre of ‘Adolescent Fiction’ gives the authors the opportunity to sculpt the lives and minds, giving their readers a glimpse or a chance to once again reminsce an age period that almost every human would experience once. Within the adolescent period the individual themselves will go through the motions of confusion, survival or coping, and then finally acceptance. But why not mastery? Salinger’s protagonist Holden in Catcher in the Rye strives so hard to remain in a state of mind where the outside ‘Phonys’ can not reach him. Boock’s Dare Truth or Promise third- narrative helps her audience to understand the inner turmoil that arises once two teenage girls named Louie and Willa meet for the first time. Three chara cters are in a race against time. Time becomes their enemy and friend within the two selected texts. It is reason why Holden, Louie and Willa are not able to fully master their own personal fears, instead they learn how to cope with what awaits them. In this essay I will be discussing how Boock and Salinger’s work contributed and enhanced the genre of adolescent fiction. Being a pathway between the loss of childhood and the beginnings of adulthood. Adolescence occurs

Tuesday, May 5, 2020

Nespresso Case Summary Essay Example For Students

Nespresso Case Summary Essay Tiffany Smith July 27, 2010 The Nespresso case traces the development of the Nespresso System in a 100%-owned affiliate deliberately placed outside Nestle’s main organizational structure. The case also highlights the teams successes and challenges in creating a new, small, niche segment in the mature coffee market and its prospects for growing the business from 150 million to 1 billion Swiss francs within the next decade. The Nespresso system was a radical departure from most Nestle lines of businesses targeted to the mass market; the Nespresso story offers provocative lessons about innovation in large, highly structured organizations. This case speaks about the history of Nespresso’s development and the challenges for its future. The beginning of the article describes Nestle’s strategies for growth through innovation and renovation and describes the management’s practices and views on promoting a climate for innovation. The article then goes on to describe the challenges the company faced as the company tried to grow the Nespresso business towards 1 billion Swiss francs. The Nespresso case touches on opportunity recognition, the characteristics of the corporate entrepreneur, and the necessary organizational structure needed in order to be innovative in this industry. The case also covers the delicate transformation of an initiative from the entrepreneurial stage to institutionalization for sustained growth. The Nespresso machines were highly innovative due to its outward simplicity and masked complexity. The extraction process for the Nespresso machines was considered highly innovative because it incorporated years of research and learning that would be hard for a competitor to replicate without patent infringement. The Nespresso concept helped Nestle to outperform all of their competitors in quality and convenience. Because Nestle held the patent for the Nespresso machines competitors could not copy their invention with committing patent infringement. The aim of the Nespresso product development was to combine Nestle’s research and development strength with its deep knowledge of the coffee business to bring a high quality coffee product to the market. The Nespresso product was established in order to give Nestle a larger presence in the roast and ground segment of the coffee market, while bring quality to the market as well. In the beginning there were a number of technical problems to overcome, but Nestle’s R D organization resolved all issues. The Nespresso product gained support from Nestle’s food service division in the beginning, but was soon abandoned in favor of the office coffee sector. Later the company approached Sobal, a Swiss company, to assist in the distribution in the Nespresso system in offices and other institutions. The 100%-owned Nestle affiliate was established in 1986 in order to speed up the process of seizing the market opportunity in the newly created individual portion coffee category. The company developed its own commercial, distribution, and personnel policies separate from Nestle and was exclusively responsible for promoting products under the Nespresso brand name. A special production line was open in Switzerland at the Nescafe plant in order to produce the coffee capsules for the Nespresso system. The Nespresso system was launched in Italy and Switzerland and by 1987 only half of the machines that had been manufactured had been sold. The company was behind target for the machines and the capsules. There were also other worrying signs so they company had to rethink the Nespresso strategy. They hired Lang who rethought the Nespresso concept. This is where the renovation came in. They shifted the target market to the household market. Lang’s strategy was to position Nespresso away from the more utilitarian office coffee and target consumers at the top of the household market. During this time Lang and his team introduced modifications to the designs, they renovated the coffee capsules to cut down on costs and make them recyclable. .u4288d5639c6f0f3b2dff49ca950ee075 , .u4288d5639c6f0f3b2dff49ca950ee075 .postImageUrl , .u4288d5639c6f0f3b2dff49ca950ee075 .centered-text-area { min-height: 80px; position: relative; } .u4288d5639c6f0f3b2dff49ca950ee075 , .u4288d5639c6f0f3b2dff49ca950ee075:hover , .u4288d5639c6f0f3b2dff49ca950ee075:visited , .u4288d5639c6f0f3b2dff49ca950ee075:active { border:0!important; } .u4288d5639c6f0f3b2dff49ca950ee075 .clearfix:after { content: ""; display: table; clear: both; } .u4288d5639c6f0f3b2dff49ca950ee075 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4288d5639c6f0f3b2dff49ca950ee075:active , .u4288d5639c6f0f3b2dff49ca950ee075:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4288d5639c6f0f3b2dff49ca950ee075 .centered-text-area { width: 100%; position: relative ; } .u4288d5639c6f0f3b2dff49ca950ee075 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4288d5639c6f0f3b2dff49ca950ee075 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4288d5639c6f0f3b2dff49ca950ee075 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4288d5639c6f0f3b2dff49ca950ee075:hover .ctaButton { background-color: #34495E!important; } .u4288d5639c6f0f3b2dff49ca950ee075 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4288d5639c6f0f3b2dff49ca950ee075 .u4288d5639c6f0f3b2dff49ca950ee075-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4288d5639c6f0f3b2dff49ca950ee075:after { content: ""; display: block; clear: both; } READ: Breast Cancer Treatment EssayBecause they shifted their target market to the household Market Nespresso had to rethink the distribution process. This is when Lang came up with the idea of the Nespresso club, which handle service calls and offered consumers around the clock ordering, prompt delivery of fresh coffee, and personalized advice. The Club was an immediate success and was the first direct marketing experiment within the Nestle organization. As a way to get the product out, the company contract with a few airlines to get them to start serving the Nespresso product onboard their first class long haul flights. Top restaurants were solicited. Under Lang’s leadership, NCS broke even in 1995 and as a result became one of the fastest growing business units in the Nestle organization. Lang made sure to create a climate for innovation in order to keep the Nespresso concept alive, however in 1997 Lang left and William Pronk took the reins. Pronk worked to enhance the customer service side of the business. Pronk established several renovations in order to create customer intimacy, to build long term loyalty and put Nespresso on the road to becoming a meaningful concept in the competitive coffee world. While the Nespresso concept had created and dominated an entirely new gourmet coffee category, several issues still needed to be resolved in order to accelerate growth in NCS. Pronk was concerned about five issues which included: 1) attracting new customers 2) going down market 3) distribution to serve a wider market 4) diversification into non-coffee products and 5) blocking competitors. Although NCS had reached a satisfactory performance, NCS had still fell short of Nestle’s high ambition of 1 billion Swiss francs in sales and the question remained what must NCS do now to reach its ambitious growth targets?